“Канни-2026”: чому “Клубний хлопець” з Карою Делевінь — абсолютний успіх фестивалю

Amidst a sea of extremely somber and joyless cinema (“Cold War” by Paweł Pawlikowski, “Everybody Knows” by Asghar Farhadi, and “The Gray Man” by James Gray) in Cannes, there was still a bright spot – the vibrant directorial debut of…









